Staff A-Z

Awarded the highest Slovenian prize for cultural achievement (the Prešeren Award), Aleksandar Milošev is a versatile artist with a broad range of stylistic interests. Recently appointed as Principal Viola of the Philharmonia Orchestra, he has also appeared as a soloist with the Zagreb Soloists ensemble, under the baton of Marc Coppey, En Shao and Uroš Lajovic, and with the Slovenian Philharmonic, Zagreb Philharmonic and Belgrade Philharmonic Orchestras. Aleksandar has collaborated with many renowned artists, such as Bruno Giuranna, Rocco Filippini, Jan Talich, Franco Gulli, Julian Rachlin, Irena Grafenauer, Radovan Vlatkovic, Gautier Capuçon, Viktoria Jagling, Alexandar Rudin, Richard Tognetti and Christian Altenburger. He has recently recorded and performed with Grammy Award nominated lutenist Edin Karamazov.

Awarded the highest Slovenian prize for cultural achievement (the Prešeren Award), Aleksandar Milošev is a versatile artist with a broad range of stylistic interests. Recently appointed as Principal Viola of the Philharmonia Orchestra, he has also appeared as a soloist with the Zagreb Soloists ensemble, under the baton of Marc Coppey, En Shao and Uroš Lajovic, and with the Slovenian Philharmonic, Zagreb Philharmonic and Belgrade Philharmonic Orchestras.

Trevor Mires has been at the forefront of the London music scene for the last fourteen years.

His performing credits are wide ranging. He has performed with, among others, George Benson, recorded and toured with multi-instrumentalist James Morrison, toured with Sam Rivers Big Band, Michel Le Grand, and recorded with Pat Metheny, Toots Theilmans and David Sanborn.

Trevor was a member of jazz funk band Jamiroquai, and Incognito, recording and touring with both for a number of years. Maintaining a healthy balance between commercial and more creative projects, recording in studios for TV and film, Trevor is currently Trombonist/arranger for Sir Tom Jones, and recently toured with Randy Brecker’s European Big Band, as well as recording with Radiohead, and performing with the likes of Alicia Keys, Beyonce, and recording and performing with Mark Ronson.

Stephen is a composer, pianist and conductor born and educated in the USA but living in Europe since 1972 first as a Fulbright Scholar (Warsaw, Poland, 1972-74) then as a freelance musician based in London but touring worldwide. His music has been performed on major festivals here and abroad including the BBC Proms (Royal Albert Hall), Warsaw Autumn Festival, Paris Festival d’Automne, Venice Biennale, Bang on a Can (New York), and the Singapore and Hong Kong Festivals. His compositional interests cover a wide range and variety of genres from symphonic works, to music theatre and cutting edge experimental. He has worked with many of the world’s leading composers such as John Cage, Mauricio Kagel, Steve Reich, Conlon Nancarrow and Astor Piazzolla.

* Conferred with the title of Professor in January 2017.

Research interests and areas of supervision:

• Composition

Henry is a freelance dance maker, performer and teacher. He has performed for many independent choreographers and companies in New York and Europe including Susanne Linke, Reinhild Hoffmann, Keely Garfield, Kirstie Simson, KJ Holmes, Gaby Agis, Charles Linehan, Kate Brown, Rosemary Butcher and Jonathan Burrows Group. Henry is currently a member of Siobhan Davies Dance and was awarded the 2003 Critics Circle National Dance Award For Outstanding Male Artist. He continues to study Yoga and the Alexander Technique and is a registered Craniosacral Therapist.

Andrew studied conducting and orchestration with Denis McCaldin at Lancaster University and with Peter Stark at Trinity College of Music where he graduated with distinction and won the Ricordi Conducting Prize. Notable work has included Stockhausen’s rarely performed ‘Gruppen’, an appearance with the National Youth Orchestra Sinfonietta and the critically acclaimed ‘Medousa: A Miniature Opera’ for which he was composer and musical supervisor.

Eamonn Mulhall is active as both a performer (tenor) and singing teacher.

His teaching centres around healthy vocal production, an understanding of voice anatomy and optimal vocal function based in bel canto pedagogy. He has a keen interest in pedagogy and voice science as a means to facilitating an array of vocal colours, compelling story telling and emotional connection to text and music.

He is dedicated to improving the craft of each of his students.

Janet Munro studied at the Royal Scottish Academy of Music and Drama (RCS)  and the Royal Academy of Music supported by a Scottish Arts Council scholarship. For many years she worked as a professional singer with several different companies including Kent Opera and the New D’Oyly Carte Opera Company as well as giving premieres at the Bush Theatre and Edinburgh Fringe. She also performed extensively in this country and abroad as a recitalist  before returning to study at Middlesex University and the Institute of Education.

Janet has a special interest in supporting aspiring professional singers and has given presentations on vocal health in collaboration with Dr Patricia Holmes at the Reflective Conservatoire Conference and the International Symposium on Performance Science in Reykjavík. She also gave a presentation on Repertoire through Voice Change at the Pan European Voice Conference in Copenhagen. She is  involved mentoring singing teachers, first working with the Associated Board of the Royal Schools of Music on their professional development programme and more recently collaborating on the development of the Essentials online course for the Association of Teachers of Singing. She is the vocal lead for  the Certificate of Teaching for the European String Teachers Association.

Dominic Murcott is a composer, curator and educator whose work encompasses a wide range of activities. His compositions often combine acoustic instruments with digital media or theatrical ideas and is as enthusiastic about working with amateur musicians as professionals. Two recent projects are released on nonclassical, including the award-winning percussion duo The Harmonic Canon.

Research interests and areas of supervision:

• The interface between classical and popular music, 1960 to present
• The music of Conlon Nancarrow
• The music of Frank Zappa
• The relationship between computer technologies and performance
• Composition education practice

Dan is a singer songwriter and multi-instrumentalist from Ireland. He plays guitar, piano, harmonica, didgeridoo, and dobro, and he is a songwriting lecturer on our BA MPI programme.  

He studied music at the University of Limerick, and later spent time studying dobro in Kolkata, India, under Grammy award-winning Hindustani slide guitarist, Debashish Bhattacharya. He has an MA in Songwriting and specialized in ethnomusicology of the Irish Travelling community for his dissertation.  

Aleksandra started her musical education in Warsaw, Poland. Having won the III International Chopin Competition in Budapest at the age of 16, she was given opportunities to perform extensively in France, Poland, Hungary and Spain. In 2010 Aleksandra received a scholarship to study at the Royal Academy of Music in London with Professor Christopher Elton. She went on to pursue a postgraduate degree in performance and research with professor of piano Hamish Milne, which she completed with a distinction for overall outstanding studentship.

Peter Nagle is a composer, performer and sound artist based in London. Born in Birmingham, he studied music at Sheffield University, and later composition with Michael Finnissy. He appears as performer and composer regularly throughout the country.

Peter has been a member of the administrative team at Trinity Laban since 2014; he currently oversees the Composition and Jazz departments. Since 2019 has also been a PhD candidate in Creative Practice at Trinity Laban.

Hilary’s teaching methodology has evolved into a multi-layered construct, which has strongly been influenced by her studies in Psychology and Pilates. The issue of body – mind integration in the learning process of dancers is at the centre of her approach. In essence, she places great emphasis on sound embodiment of movement principles to enhance technical and artistic excellence, but strives to create a learning environment that acknowledges “the essence of movement as means of expression that could reverberate on a much deeper level in terms of the well-being of the individual”. Hilary currently enjoys teaching master classes and is actively pursuing her interest in dance health and psychology by attending conferences and workshops arranged by Dance UK, IADMS and the Pilates Foundation.

Les Neish has created a career as a soloist, chamber musician and educator with a world-wide reputation. Known for his musicianship, artistry and high level of communication, Les dazzles audiences with fabulous technique and stunning musicianship.

Dr Paul Newland is a founding member of electric guitar duo Exquisite Corpse and ensemble [rout] www.routweb.com.  Paul’s work has been performed and broadcast by ensembles and artists such as [rout], 175 East, Arditti Quartet, Asko Ensemble, BBC Symphony Orchestra, BBC Scottish Symphony Orchestra, Richard Casey, Jane Chapman, Composers Ensemble, Exquisite Corpse, Rolf Hind, Philip Howard, Huuj Ensemble, Ives Ensemble, Ixion, Jane’s Minstrels, Okeanos, Seth Josel, Mieko Kanno, London Sinfonietta, London Symphony Orchestra, Noszferatu, Psappha, Opus 20, and Thallein.

Yolanda currently teaches Dance Fusion at Trinity Laban.

Yolanda began her dance career at Irie Dance Theatre, studying Contemporary, Ballet, African and Caribbean Dance, specialising
in Hip Hop Foundations and Waakin.