Staff A-Z

Patricia Rozario, OBE is a Bombay-born British soprano.

Born and educated in Bombay, India, she went on to study at the Guildhall School of Music and Drama in London.

She has performed at the English National Opera, Opera North, Glyndebourne Festival Opera, and the Garsington Opera in England, and has performed on stage across Europe in Aix-en-Provence, Brussels, Frankfurt, Ghent, Innsbruck, Lyon and Stuttgart.

One of her most notable appearances was across Europe in The Marriage of Figaro, conducted by Sir Georg Solti. She has also given concerts in the Royal Opera House, Covent Garden, and as part of The Proms in England, and abroad in Amsterdam, Athens, Berlin, Halle, Helsinki, Hong Kong, Cologne, Leipzig, Madrid, New York City, Paris, Riga, Rouen, Strasbourg, Vienna, Winterthur and Zürich. She performed in a production of Elvis Costello’s Meltdown.

Rozario has made numerous recordings of the works of composer John Tavener. She was awarded the Order of the British Empire in 2001. Rozario is currently a professor at the Royal College of Music, where she is a member of the Vocal Faculty.

[Trinity] Laban provided me with a solid foundation from which to launch my career and I am extremely grateful to all the staff, staff who are active industry professionals and pioneers within their fields. I fondly remember my experiences under the directorship of the late Dr Marion North.

Gidon Saks was born in Israel and brought up in South Africa. He began his studies there, then at the Royal Northern College of Music, the University of Toronto and at the International Opera Studio in Zürich.

Gidon was a member of the Ensemble at the Canadian Opera Company, and then in the opera houses of Gelsenkirchen and Bielefeld. He made his British debut with Scottish Opera as Claggart in Billy Budd, an opera he has sung in many productions and recorded both with the Halle (as Mr Flint) and the LSO, winning a Grammy Award.

He has sung every bass role in Wagner’s Ring, and his repertoire includes Nick Shadow in Stravinsky’s Rake’s Progress and the title role in Bartok’s Bluebeard’s Castle. He has sung Kaspar in Weber’s Freischütz in English for ENO, German for the Staatsoper in Berlin, and in Berlioz’s French recitative version at the Opera Comique under Sir John Eliot Gardiner, also performed at the Proms.

Adam has designed and led projects with some of the country’s leading organisations including the National Youth Orchestra, the Southbank Centre and Trinity Laban Conservatoire of Music and Dance.

Adam thrives on large-scale collaborations; his latest musical, ‘Thames Tales’, was performed at the Royal Albert Hall, by a cast of over a thousand. Other recent projects include partnerships with the South African High Commission, the Tower of London and the New Wimbledon Theatre.

As a creative consultant, he has worked on numerous global advertising campaigns. In 2019, he was the musical director for Amazon’s holiday campaign, conducting a choir of workers from an Amazon fulfilment centre outside Paris.

In addition to being leader of the Orchestra of St. John’s, Jan is also Principal Second Violinist of the Orchestra of the Royal Opera House. He has worked as a guest leader of many orchestras in the UK, including the Academy of St. Martin in the Fields and the Scottish Chamber Orchestra as well as the Musikkollegium Winterthur in Switzerland. In the last two seasons, Jan has been invited several times to lead the Orchestre de chambre de Paris.

As leader of the Orchestra of St. John’s, Jan’s solo performances have included Bach’s violin concertos, all the Brandenburg concertos, Mozart’s Sinfonia Concertante and Violin Concerto No. 5, Bruch’s Concerto No. 1 and the concertos by Beethoven, Mendelssohn and Brahms. Jan has also given many performances of Vivaldi’s and Piazzolla’s Four Seasons, culminating in a live recording for the OSJ Alive label. Solo performances with the Academy of St. Martin in the Fields have included the Schnittke’s Double Concerto at the Barbican Centre and a broadcast for French Radio of duo sonatas with Kenneth Sillito from the Chatelet, Paris.

Barak Schmool studied saxophone and composition at the Royal Academy of Music. At the age of 20, illness prevented Barak from practising saxophone for six months which led to his picking up percussion, eventually specialising in West African drumming and Latin percussion. Since then Barak has worked with Artists such as Bosco De Oliveira, Nana Tsiboe, Robert Mitchell and Hilaire Penda, as well as a long association with Django Bates’ Big Band, Delightful Precipice.

Barak Schmool studied saxophone and composition at the Royal Academy of Music. At the age of 20, illness prevented Barak from practising saxophone for six months which led to his picking up percussion, eventually specialising in West African drumming and Latin percussion. Since then Barak has worked with Artists such as Bosco De Oliveira, Nana Tsiboe, Robert Mitchell and Hilaire Penda, as well as a long association with Django Bates’ Big Band, Delightful Precipice.

Barak has also founded a number of different projects, each with unique stylistic and world influences. These include the Afro-rhythmic groupTimeline, the Cuban batá-fusion of Méta Méta, and the integrated dance performance of Synergy and Roots of Unity. Barak is also the founder of F-IRE (Fellowship for Integrated Rhythmic Expression); part record label and part educational initiative, encompassing a wide variety of genres within and beyond the scope of jazz. F-IRE was awarded the 2004 BBC Jazz Award for Innovation, and all of the musicians nominated in the ‘Rising Stars’ category were members of F-IRE.

Barak is also a regular teacher at the Royal Academy of Music and City University.

Born in South Africa, Pieter made his solo debut aged 10 with the Cape Town Symphony Orchestra. He studied with Jack de Wet in South Africa, winning numerous competitions including the 1984 World Youth Concerto Competition in the USA. In 1987 he was offered the Heifetz Chair of Music scholarship to study with Eduard Schmieder in Los Angeles and in 1991 his talent was spotted by Pinchas Zukerman, who recommended that he move to New York to study with Sylvia Rosenberg. In 1994 he became her teaching assistant at Indiana University, Bloomington. Pieter has performed worldwide as a soloist and recitalist in such famous halls as the Concertgebouw in Amsterdam, Moscow’s Rachmaninov Hall, Capella Hall in St Petersburg, Staatsbibliothek in Berlin, Hollywood Bowl in Los Angeles and Southbank Centre’s Queen Elizabeth Hall in London.

Anneke Scott is a leading exponent of historical horn playing. Her work takes her throughout the globe and throughout the centuries of music with a repertoire incorporating music and instruments from the late seventeenth century through to the present day. 

British conductor and composer Harry Sever studied at Oxford University and trained at the Guildhall School of Music and Drama and the Royal Academy of Music.

Recent and upcoming engagements include Carmen (Opera North), Fantasio (Garsington), La Traviata (Opera Holland Park), Cendrillon (Bampton Classical Opera), The Nutcracker (Peter Schaufuss Ballet), as well as concerts with Welsh National Opera and projects with The Royal Danish Opera, Royal Birmingham Conservatoire, and British Youth Opera.

Andrew was born in Kenya, educated in Zimbabwe and having played the violin for three years, won a scholarship to the Royal College of Music.

Andrew was born in Kenya, educated in Zimbabwe and having played the violin for three years, won a scholarship to the Royal College of Music. He studied with Antonio Brosa, Sylvia Rosenberg and subsequently with Sascha Lasserson. He studied composition with Alan Ridout. Andrew has performed to good critical comment in many parts of the world as soloist and conductor. He has led the Mercury Ensemble for Rambert dance company and played in London and Scottish orchestras. Solo performances range from Wigmore Hall to eastern Europe, the USA. and Africa. Many composers have written works for him from Howard Skempton to the American Stephen Funk Pearson, as well as an acting/performing role in a musical at the Theatre Royal, Haymarket. He is in demand as a conductor and has worked with orchestras from the strings of the City of Birmingham Symphony Orchestra to the Brighton Youth Orchestras Trust whose orchestras and ensembles have won awards and acclaim since he became Director. He is principal conductor for European Youth Summer Music and of the Musicians of All Saints who are committed to unjustly neglected and contemporary composers. Andrew adjudicates both in Britain and abroad, and many of his earlier students are now professional musicians.

Mikhail Shilyaev was born in Izhevsk, Russia. He started learning piano at the age of six and won several regional piano competitions at a young age. He studied in Russia in Moscow State Conservatoire, in Germany and in the UK. Mikhail has studied in Trinity Laban with Deniz Gelenbebe for his Master’s Degree.

Julian Siegel is an in-demand saxophonist on the European Jazzscene. In 2007 he was awarded the BBC Jazz Award for Best Instrumentalist. His current bands are the Julian Siegel Quartet featuring pianist Liam Noble, the Julian Siegel Trio with US Improvising stars Drummer Joey Baron and Bassist Greg Cohen and the influential band Partisans, co-led for the last 14 years with guitarist Phil Robson. Julian has played in large ensembles led by Andrew Hill, Mike Gibbs alongside Bill Frisell, Steve Swallow and Adam Nussbaum, the Hermeto Pascoal UK Big Band, Django Bates Delightful Precipice, John Taylor, Jazz Jamaica, Kenny Wheeler, Colin Towns with the NDR big band, Hans Koller New Memories Band with Steve Lacy and with Jason Yarde’s ‘Acoutastic Bombastic’.

Sergio is currently Professor of Piano at Trinity Laban, Potenza State Conservatoire ‘Gesualdo da Venosa’ and Sesto Fiorentino Music School, where he is also Director. Sergio has been invited to give piano and chamber music masterclasses and summer courses by Split Music Academy (Croatia), Music Academy of Sarajevo (Bosnia), Perugia Music Fest (Italy), Roncofreddo in Musica (Cesena, Italy), Musica e Mare (Marina di Pietrasanta, Italy) and Luke Sorkočevića Art School, Dubrovnik (Croatia), for the Achucarro Foundation and in universities in the USA: California State University, Fresno; University of California, Santa Barbara; Southern Methodist University, Dallas. Sergio is  Artistic Director of Intersezioni festival in the historical villas of Florence.

Equally at home as a violinist and violist, Serbian Milena Simović is enjoying an illustrious international career of concerto, recital and chamber music performances.

Acclaimed for her work in Europe, Asia and America, Milena appears as a soloist in Russia, China, Italy, United Kingdom, Norway, France, Portugal, and through the countries of former Yugoslavia, performing alongside some of the most established personalities of today’s music scene.