MFA Dance Science

Catherine graduated magna cum laude from Barnard College of Columbia University in New York City, with Bachelors in both Dance and Physics. During her undergraduate studies, she studied abroad at the dance conservatory in the Victorian College of the Arts, University of Melbourne, Australia. After finishing her Bachelors, Catherine moved to Switzerland to pursue a combination of her passions of dance and science. At the Institute of Sport Science, University of Bern, Catherine completed both a Master of Science in Sport Science Research and a Master of Advanced Studies in Dance Science summa cum laude.

In addition to her teaching at Trinity Laban, Catherine works as a researcher in Dance Science alongside Dr. Andrea Schärli – analysing postural stability during rotation, with a particular focus on the influence of a stabilizing head coordination (spotting) on balance. She has additionally contributed to a variety of dance science research projects, including a Delphi Method survey, a dance intervention with older adults, an imagery intervention with pre-professional dance students, as well as bio-mechanical analyses of a rehabilitation program progression.

Through her research, Catherine has presented her work at numerous international conferences, including those of the International Association of Dance Medicine and Science, Performing Arts Medicine Association, and the International Society of Biomechanics. Catherine is a dedicated member of the International Association of Dance Medicine and Science, serving on the Student Committee and the Research Committee.

Qualifications & Background:

• MSc Sport Science Research, Institute of Sport Science, University of Bern, Switzerland
• MAS Dance Science, Institute of Sport Science, University of Bern, Switzerland
• BA Dance, Barnard College of Columbia University, New York
• BA Physics, Barnard College of Columbia University, New York

Teaching experience:

• Module Leader, M502a Research Lab, MSc/MFA Dance Science, Trinity Laban
• Lecturer, Researching Dance Science, BSc Dance Science, Trinity Laban
• Lecturer, CAS Motor Learning and Training, MAS Dance Science, University of Bern

Outputs:

Haber, C., Klostermann, A., & Schärli, A. (2019). Biomechanical analysis of balance and spotting in multiple rotations of ballet dancers. In W. Herzog (Ed.), Abstract book of the International/American Society of Biomechanics ISB/ASB 2019. University of Calgary.

Haber, C. Schärli, A. (2019). Biomechanical analysis of the Dance-Specific, Graded Rehabilitation Program. Proceedings of the 37th Annual Performing Arts Medicine Association International Symposium. Los Angeles, California, USA.

Haber, C. (2019). Measuring a Pirouette: Tackling the challenge of quantifying dance. The IADMS Blog. Measuring a Pirouette: Tackling the challenge of quantifying dance | International Association for Dance Medicine & Science (iadms.org)

Haber, C. Schärli, A. (2018). Defining spotting: A Delphi Method study evaluating expert opinions on the characteristics and uses of spotting. In R. Solomon and J. Solomon (Eds.), Proceedings of the 28th Annual Meeting of the International Association for Dance Medicine and Science. Helsinki, Finland.

Haber, C. Schärli, A. (2018). The Yoyo Schedule: A biomechanical analysis of a graded rehabilitation program for dancers. In R. Solomon and J. Solomon (Eds.), Proceedings of the 28th Annual Meeting of the International Association for Dance Medicine and Science. Helsinki, Finland.

Haber, C., Schärli, A., Klostermann, A., & Hossner, E.J. (2017). Measuring a ‘spot’: A methodological approach to developing and defining dance-specific measures. In R. Solomon and J. Solomon (Eds.), Proceedings of the 27th Annual Meeting of the International Association for Dance Medicine and Science. Houston, Texas, USA.

Schärli, A., Haber, C., Klostermann, A., & Hossner, E.J. (2017). Gaze behavior in dance: The relevance of spotting in pirouettes. Proceedings of the 35th Annual Performing Arts Medicine Association International Symposium. Snowmass, Colorado, USA.

Lenartowicz, A., Simpson, G., Haber, C., & Cohen, M. (2014). Neurophysiological signals of ignoring and attending are separable and related to performance during sustained intersensory attention. Journal of Cognitive Neuroscience, 26(9), 2055-2069.

While successfully auditioning for the Council for Dance, Drama and Musical Theatre: Aspiring Dance Mentoring Scheme, Under the direction of Liz Dale – Director of Dance at ISTD – and Hannah Dye – Head of Programming for Breathe Arts and Freelance Producer for English National Ballet – André was scouted to join the Centre for Advanced Training (CAT) Programme at The Place: London Contemporary Dance School. After nearly 3 years, André graduated from The Place: CAT accepting a fully funded place at London Studio Centre (LSC). During his time at LSC André took some time out to attend The Ailey School – the training ground for the world renowned Alvin Ailey American Dance Theatre – Summer Intensive in 2013, before returning to LSC where in 2014 he graduated with a Bachelor of Arts Degree.

Following graduation, André joined the ensemble of The Lion King, Germany where he was trusted with the responsibility of teaching Company Class. On returning to the UK André joined the West End Production of Wicked in the prestigious Ribbon Boy Track before going on to play Paul in Kiss Me Kate at The Watermill Theatre choreographed by Oti Mabuse – for which André was the Dance Captain and was nominated for the BroadwayWorldUK: Best Supporting Actor Award.

Having worked in the Arts industry for two decades, André has danced, taught, assisted, created work and been mentored both nationally & internationally. Working with world class artists, theatres and organisations including: Richard Alston, Denzil Bailey, English National Ballet, Thea Barnes (1952-2018), James Bennett, the Southbank Centre, the Olympic Ceremonies, Royal Academy of Dance, Artistry Youth Dance, Nikolai Foster, the Royal Albert Hall, Rebecca Howell, Richard Jones, Ellen Kane, Trinity Laban, Paul Liburd, Oti Mabuse, Mandy Montanez, Alex Parker, Joan Peters, Richard Roe, Jane Sanig, Tamara Saringer, David Shrubsole, Judine Somerville, Christian Storm, the CDMT, Disney Theatrical Productions, Eric Underwood, Antoine Vereecken, Buddy Watkins, Nikki Woollaston and Sadler’s Wells. Which André continuously utilizes to inspire his work in the studio, on stage and off stage.

Qualifications:

• PhD entitled Biomechanical analysis of the impact of fatigue on the Dorsi flexors and Plantarflexors
• MSc in Applied Sport Science
• BSc (Hons) Sport Science
• Post Graduate Certificate in Teaching and Learning in HE (PG-CertHE)

Teaching Experience:

• Senior lecturer and course director, Sports Analysis and Coaching, Kingston University.
• Senior laboratory technician, Kingston University.

Outputs:

Howatson, G., Goodall, S., Hill, J., Brouner, J., Gaze, D., McHugh, M. P., Shave, R. (2011). The influence of dietary antioxidant supplementation on exercise-induced cardiac troponin release. International Journal of Cardiology, 152 (1), 101 – 102

Howatson, G., McHugh, M.P., Hill, J., Brouner, J., Jewell, A., van Someren, K.A., and Shave, R. Howatson, S.A. (2010). The effects of a tart cherry juice supplement on muscle damage, inflammation, oxidative stress and recovery following Marathon running. Scandinavian Journal of Medicine and Science in Sports, 20, 843-52.

Howatson, G., McHugh, M. P.,  Hill, J. A., Brouner, J., Jewell, A. P., van Someren, K. A., Shave, R. E. and Howatson, S. A. (2009). Influence of Tart Cherry Juice on Indices of recovery Following Marathon Running, Scandinavian Journal of Medicine & Science in Sports, 19(5) 975 – 979

Howatson, G.; Glaister, M.; Brouner, J.; van Someren, K. A. (2009). The reliability of electromechanical delay and torque during isometric and concentric isokinetic contractions, Journal of Electromyography and Kinesiology, 19(5) 975-979